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Showing Records: 31 - 40 of 280

Business 1972-2011, undated

 Item — Box 1, Folder: 12
Scope and Contents From the Collection: The John “Zoot” Sims Papers primarily documents his professional career as a musician, and his legacy. The materials include contracts, sheet music, photographs, correspondence, newspaper articles, and periodicals. Most of the correspondence concerns release rights, and requests for information about Zoot’s relationships with musicians, such as Joe Venuti. The Zoot Sims Scholarship and his continued legacy at The New School in New York City are documented by news clippings and...
Dates: 1940 - 2011

Calendar 1982

 Item — Box 3, Folder: 3
Scope and Contents From the Collection: The John “Zoot” Sims Papers primarily documents his professional career as a musician, and his legacy. The materials include contracts, sheet music, photographs, correspondence, newspaper articles, and periodicals. Most of the correspondence concerns release rights, and requests for information about Zoot’s relationships with musicians, such as Joe Venuti. The Zoot Sims Scholarship and his continued legacy at The New School in New York City are documented by news clippings and...
Dates: 1940 - 2011; Majority of material found within 1974 - 2006

Carmen Leggio, undated

 Item — Box 1, Folder: 37
Scope and Contents From the Collection:

The John Bunch Papers includes original compositions by John Bunch, images that he took of Duke Ellington, Count Basie, Benny Goodman, and other musicians, at clubs and during his world tours, and materials, such as his White House invitation, a full color poster advertising Tony Bennett at the London Palladium, newspaper and magazine interviews, and John’s own articles and published letters. Original name and title spellings on the slide labels were retained.

Dates: 1958 - 2002

Carol at Metropole, undated

 Item — Box 1, Folder: 38
Scope and Contents From the Collection:

The John Bunch Papers includes original compositions by John Bunch, images that he took of Duke Ellington, Count Basie, Benny Goodman, and other musicians, at clubs and during his world tours, and materials, such as his White House invitation, a full color poster advertising Tony Bennett at the London Palladium, newspaper and magazine interviews, and John’s own articles and published letters. Original name and title spellings on the slide labels were retained.

Dates: 1958 - 2002

Carolina, MF 14, undated

 Item — Box 2, Folder: 4
Scope and Contents From the Collection:

The John Bunch Papers includes original compositions by John Bunch, images that he took of Duke Ellington, Count Basie, Benny Goodman, and other musicians, at clubs and during his world tours, and materials, such as his White House invitation, a full color poster advertising Tony Bennett at the London Palladium, newspaper and magazine interviews, and John’s own articles and published letters. Original name and title spellings on the slide labels were retained.

Dates: 1958 - 2002

Case 1: Slides 1-36, 1965, 1967

 Item — Box 3, Case: 1
Scope and Contents From the Collection:

The John Bunch Papers includes original compositions by John Bunch, images that he took of Duke Ellington, Count Basie, Benny Goodman, and other musicians, at clubs and during his world tours, and materials, such as his White House invitation, a full color poster advertising Tony Bennett at the London Palladium, newspaper and magazine interviews, and John’s own articles and published letters. Original name and title spellings on the slide labels were retained.

Dates: 1965; 1967

Case 2: Slides 36, 1967

 Item — Box 3, Case: 2
Scope and Contents From the Collection:

The John Bunch Papers includes original compositions by John Bunch, images that he took of Duke Ellington, Count Basie, Benny Goodman, and other musicians, at clubs and during his world tours, and materials, such as his White House invitation, a full color poster advertising Tony Bennett at the London Palladium, newspaper and magazine interviews, and John’s own articles and published letters. Original name and title spellings on the slide labels were retained.

Dates: 1967

Case 3: Slides 1-36, 1967

 Item — Box 3, Case: 3
Scope and Contents From the Collection:

The John Bunch Papers includes original compositions by John Bunch, images that he took of Duke Ellington, Count Basie, Benny Goodman, and other musicians, at clubs and during his world tours, and materials, such as his White House invitation, a full color poster advertising Tony Bennett at the London Palladium, newspaper and magazine interviews, and John’s own articles and published letters. Original name and title spellings on the slide labels were retained.

Dates: 1967

Case 4: Slides 1-36, 1968

 Item — Box 3, Case: 4
Scope and Contents From the Collection:

The John Bunch Papers includes original compositions by John Bunch, images that he took of Duke Ellington, Count Basie, Benny Goodman, and other musicians, at clubs and during his world tours, and materials, such as his White House invitation, a full color poster advertising Tony Bennett at the London Palladium, newspaper and magazine interviews, and John’s own articles and published letters. Original name and title spellings on the slide labels were retained.

Dates: 1968

Case 5: Slides 1-36, 1968

 Item — Box 3, Case: 5
Scope and Contents From the Collection:

The John Bunch Papers includes original compositions by John Bunch, images that he took of Duke Ellington, Count Basie, Benny Goodman, and other musicians, at clubs and during his world tours, and materials, such as his White House invitation, a full color poster advertising Tony Bennett at the London Palladium, newspaper and magazine interviews, and John’s own articles and published letters. Original name and title spellings on the slide labels were retained.

Dates: 1968

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  • Repository: Al Cohn Memorial Jazz Collection X

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